Welcome to A Night in Buenos Aires, a celebration of Argentinian music and culture through the artistry of Grammy and Latin Grammy-nominated JP Jofre, joined by violinist Francisco Fullana and The CCX Virtuosi. This evening explores the soulful, passionate, and transformative qualities of tango, brought to life through Jofre’s distinctive compositions, which fuse the traditions of Argentina with modern influences and classical precision. Jofre’s works showcase his profound connection to tango, a genre that has defined his artistic path and his journey as a musician.
A Night in Buenos Aires brings to life the captivating, diverse, and evolving world of Argentine music through JP Jofre’s personal reflections and compositions. As you journey through these pieces, you’ll experience the depth of feeling, vibrancy, and transformation that are hallmarks of both Jofre’s work and the enduring spirit of tango.
Program Notes by Brendan Speltz
Double Concerto for Violin and Bandoneon
Tangodromo
Milongon
Zigeunerweisen “Gypsy Airs” Op. 20 (1878)
[Arr. for bandoneon and violin by JP Jofre]
Transcendence
Como el Agua
Primavera
Libertango
Universe
Born in San Juan, Argentina, Juan Pablo Jofre Romarion, aka JP Jofre, is a 2022 GRAMMY-nominated composer and bandoneon player. Having written several double concertos with chamber and symphony orchestras, and more than 40 chamber music works, Mr. Jofre has been repeatedly highlighted by the New York Times and praised as one of today’s leading artists by Great Performers at Lincoln Center. His music has been recorded by the legendary London Symphony Orchestra, multi-Grammy award winner Paquito D’ Rivera, and Orpheus Chamber Orchestra among others. He has performed and given lectures at Google Talks, TED Talks, The Juilliard School of Music, The New School, and other venues. A recipient of the National Prize of the Arts grant in Argentina, Mr. Jofre has been part of many prestigious festivals, including the Celebrity Series of Boston, Umbria Jazz Festival, Great Performers at Lincoln Center, Seattle Town Hall, Hatfield and Sheffield Chamber Music Festival (U.K) and Kasposfest (Hungary) to name a few. For the world premiere of his Bandoneon Concerto, the Mercury News wrote: “…he is an electrifying composer-bandoneon player.” In 2012, Jofre was invited by the Free University of Bolzano and SudTirol Festival (Italy) to perform for the homage to Argentinean Nobel Peace Prize winner, Adolfo Perez Esquivel. For the release of his Double Concerto for Violin and Bandoneon with the Orpheus Chamber Orchestra and Michale Guttman, the BBC Magazine wrote: "His concerto is arresting and -through the gorgeous Adagio-rather beguiling"
He currently leads the JP Jofre Quintet, the ensemble has been touring internationally since the release of their last album "Manifiesto" among others. Mr. Jofre's music has been performed at the most prestigious concert halls around the world such as Carnegie Hall, The Kennedy Center, Los Angeles Music Center, Morlacchi Theater (Italy) Mariinsky Theater, Mikhailovsky Theater, Stanislavsky Theater (Russia), Beijing National Concert Hall, Seoul Art Center, and Taiwan National Theater. Mr. Jofre started making music for pleasure at the early age of 5, and academically studying at age 15, double bass with Nestor Castillo, harmony with Horacio Lavaise, composition, and orchestration with Ezequiel Viñao and Adrian Rusovich. He took masterclasses given by Ingrid Zur and George Heyer (Germany) and studied bandoneon with Julio Pane, former bandoneonist of the legendary Astor Piazzolla Sextet. Mr. Jofre has received numerous commissions for composing music from producer Ted Viviani, violin virtuosos Francisco Fullana, Kyung Sun Lee, Rachel Lee, Eric Silberger, Lucia Lin, Michael Guttman, Yih Shuin Huang, MUPA Budapest, pianists David Fung, Min Kwon, clarinetist Seunghee Lee and cellist István Várdai, Metropolis Ensemble, Belares Symphony Orchestra, and San Antonio Music Institute.
Spanish-born violinist Francisco Fullana, winner of the 2018 Avery Fisher Career Grant, has been hailed as an "amazing talent" (Gustavo Dudamel) and "frighteningly awesome" (Buffalo News). His solo violin album Bach’s Long Shadow, was named BBC Music Magazine’s Instrumental Choice of the Month. Its five star review stated: ‘Fullana manages to combine Itzhak Perlman's warmth with the aristocratic poise of Henryk Szeryng'
A native of Mallorca in the Balearic Islands of Spain, Francisco is making a name for himself as both a performer, fearless leader and a founder of innovative educational residencies. As a soloist, he has performed the Mendelssohn Violin Concerto with the Bayerische Philharmonie led by the late Sir Colin Davis, the Sibelius Concerto with the Münchner Rundfunkorchester, and the Brahms Violin Concerto with Venezuela’s Teresa Carreño Orchestra under the baton of Gustavo Dudamel. His versatility as a performer, both with and without conductor, has brought him to perform with numerous ensembles across the artistic spectrum: from major orchestras such as the City of Birmingham, Vancouver, Aachen, Pacific and Buffalo Symphony Orchestras, the chamber orchestras of Saint Paul and Philadelphia, to the baroque ensemble Apollo’s Fire and the new music driven Metropolis Ensemble. Francisco has worked under the batons of Hans Graf, Pablo Mielgo, José Luis Gómez, Alondra de la Parra, Christoph Poppen, Jeannette Sorrell, Keitaro Harada and Joshua Weilerstein, among many others.
Fullana is one of the first international solo violinists to fully embrace and absorb the baroque language of historical performance. His passion for the gut strings has blossomed into fruitful collaborations with Baroque groups all over the world. Last season, Fullana was the Artist-in-Residence with the Grammy-winning ensemble Apollo’s Fire, performing 18 concerto performances on tour, including stops at Carnegie Hall and Severance Hall among many others. They recently released Vivaldi’s Four Seasons on Avie Records to great success: The album debut at #2 of the Billboard Charts and was named Top Ten Album Of the Year by the Sunday Times. BBC Music Magazine’s review stated: ‘Francisco Fullana reveals Vivaldi’s poetry with effortless refinement.’ The partnership continued this spring, performing Vivaldi’s The Four Seasons on tour around the UK, including stops at Aldenburgh Festival & St. Martin in the Fields.
Highlights of Francisco’s upcoming orchestral engagements in 2024 include debuts with The Florida Orchestra, Budapest MAV, Lodz, Pasadena, Rosario, Saarbrucken Radio and Simón Bolivar Symphonies among many others, as well as returns to Austin and Xalapa Symphonies, Boulder Philharmonic and the Symphony of the Americas. Fullana will also return to play/conduct the Chamber Orchestras of Philadelphia and San Antonio and the Balearic Islands Symphony, leading programs from Mozart’s Jupiter Symphony and Chevalier de St. Georges’ concerti to Beethoven symphonies and Bartók Divertimento. Recent and upcoming recital debuts include the Phillips Collection in Washington DC and Palm Beach’s Kravis Center, Barcelona’s L’Auditori as well as recitals debuts at the Heidelberg, Darmstadt, Dresden, Mecklenburg-Vorlpolmmern and Geizeitenkonzerte festivals with his duo partner, pianist Matthias Kirchnerheit. In Asia, Fullana will make his awaited return this spring, performing recitals throughout western and southern Japan.
His passion for working with youth orchestras through the Fortissimo Youth Initiative will be at full display this season affter recently making his concerto debut at Carnegie Hall’s Stern Perelman Hall, where he performed Lalo’s Symphonie Espagnole with the Grammy-award winning New York Youth Symphony. This summer Francisco will embark on a month long tour with the Spanish National Youth Symphony JONDE, premiering a new concerto by Mikel Urkiza under the baton of Pablo Gónzalez and recording a new concerto album for Orchid Classics.
In 2018 Orchid Classics released Francisco’s acclaimed debut recording Through the Lens of Time performed with the City of Birmingham Symphony Orchestra under Carlos Izcaray. Fullana’s new double album on Orchid, Bach’s Long Shadow, juxtaposes two of the monumental Bach’s Partitas on gut strings and baroque setup with virtuoso solo violin works from the next 3 centuries. His most recent project, Spanish Light, showcases staples and hidden gems of the Spanish repertoire alongside the Spanish pianist Alba Ventura.
Active as a chamber musician, Francisco is a performing artist at NYC’s Chamber Music Society of Lincoln Center, and has participated in the Marlboro Music Festival, the Musicians from Marlboro tours, the Perlman Music Program, the Da Camera Society, and the LaJolla, Moab, Music@Menlo, Mainly Mozart, Music in the Vineyards, and Newport music festivals. He recently formed a musical duo with guitar extraordinaire Jason Vieaux, touring the United States through 2024-25. His musical collaborators have included Viviane Hagner, Nobuko Imai, Mitsuko Uchida, and members of the Guarneri, Juilliard, Takács, and Cleveland quartets. Francisco’s Spanish roots are also often explored in collaboration with Hispanic artists such as guitarist Pablo Sainz-Villegas and bandoneonist JP Jofre. Their recital for The Violin Channel’s Vanguard Concerts at Merkin Hall was just released for worldwide release on all major streaming platforms. Francisco Fullana has been named as the recipient of the 2023 the Darioush and Shahpar Khaledi Prize from the Festival Napa Valley.
Born into a family of educators, Francisco is a graduate of the Royal Conservatory of Madrid, where he matriculated under the tutelage of Manuel Guillén. He received Bachelor’s and Master’s degrees from The Juilliard School following studies with Donald Weilerstein and Masao Kawasaki, and holds an Artist Diploma from the USC Thornton School of Music, where he worked with the renowned violinist Midori.
In 2015 Francisco was honored with First Prize in Japan’s Munetsugu Angel Violin Competition, as well as all four of that competition’s special prizes including the Audience and Orchestra awards. Additional awards include First Prizes at the Johannes Brahms and Julio Cardona International Violin Competitions, the Pro Musicis International Award, and the Pablo Sarasate National Competition.
Francisco is a committed innovator, leading new institutions of musical education for young people. He is a co-founder of San Antonio’s Classical Music Summer Institute, where he currently serves as Artistic Leader and Advisor. He also created the Fortissimo Youth Initiative, a series of music seminars and performances with youth orchestras, which aims to explore and deepen young musicians’ understanding of conductorless chamber orchestra playing. The seminars are deeply immersive, thrusting youngsters into the sonic world of a single period while inspiring them to channel their overwhelming energy in the service of vibrant older styles of musical expression. The results can be galvanic, and Francisco continues to build on these educational models.
Francisco Fullana performs on the 1735 "Mary Portman" ex-Kreisler Guarneri del Gesù violin, kindly on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.