Delighting her listeners with "her warm, humane musicianship" and "sweet spot of grace", Anna Lee is an active concert violinist, chamber musician, and teacher. She began violin studies at the age of four with Alexander Souptel and debuted as soloist performing the Paganini Violin Concerto No. 1 a year and a half later with the Singapore Symphony Orchestra under the baton of Lan Shui. She spent a large part of her childhood in Japan and Singapore even though she was born in South Korea, and at the age of six moved to New York after being accepted to the Juilliard School Pre-College Division under the tutelage of Masao Kawasaki.

Concert venues that Anna Lee has appeared in are the Carnegie-Weill, Carnegie-Zankel, Wigmore, Beethoven-Haus, Avery Fisher, Victoria, Lotte, and Esplanade Concert Halls, as well as Merkin Hall and Peter Jay Sharp Theater. She has claimed top prizes in the 2022 Ysaÿe, 2022 Classic Strings Dubai, 2019 Montréal Competition, 2018 Indianapolis Competition, 2011 Sion-Valais Competition, 2011 Kronberg Violin Masterclasses, 2010 and 2012 Menuhin Competition (Junior and Senior Divisions, respectively), and Aspen Music Festival AACA Competition. Anna Lee has been the recipient of numerous awards, including the Louis Sudler Prize in the Arts, awarded by Office for the Arts at Harvard, the Bernhard and Mania Hahnloser Violin Prize at the Verbier Festival Academy, and the Jack Kent Cooke Young Artist Award.

She has also been featured in music festivals around the world such as the Gstaad Menuhin Festival and the Marlboro Music Festival, and on radio shows such as “From the Top” with host Christopher O’Riley and NPR Performance Today with host Fred Child. She has also been the cover page feature of the Wall Street Journal Magazine.

Notable chamber music collaborations include Gidon Kremer, Yuri Bashmet and Steven Isserlis in the Kronberg Academy's "Chamber Music Connects the World" festival. Anna Lee was also presented by Sir András Schiff at the BeethovenFest in Bonn. As a soloist, Anna Lee made her New York Philharmonic debut in April 2011, as well as her Frankfurt debut in 2016 with maestro Christoph Eschenbach and the Hessische Rundfunk Radio Orchestra. She has also appeared with the Singapore, Indianapolis, Park Avenue Chamber, and Montreal Symphony Orchestras.

Anna Lee’s teachers were Masao Kawasaki and Cho-Liang Lin at the Juilliard School Pre-College Division, Ana Chumachenco at the Kronberg Academy, Ani Kavafian at the Yale School of Music, and Miriam Fried and Don Weilerstein in Boston, where she completed her Comparative Literature degree at Harvard College. Currently, she is an Artist in Residence at the Queen Elisabeth Music Chapel. She has also taught as a chamber music teacher, most notably at the Kronberg Academy's Mit Musik—Miteinander festival in Germany, Classical Music Institute San Antonio in Texas, and Festival MusicAlp in France.

Praised for her “beauty of tone and musical line” (South Florida Classical Review), cellist Clare Bradford enjoys a career as an orchestral player and chamber musician. This is Clare’s first season performing with the Lakes Area Music Festival. In previous years she has played with the Colorado Music Festival Orchestra and has had a long-standing collaboration with the Classical Music Institute (CMI) of San Antonio where she is a teacher and guest artist. She is a recent alumna of the New World Symphony Orchestra under the direction of Michael Tilson Thomas.

Ms. Bradford has always had a particular love for works by living composers which has led her to collaborate closely in chamber music settings with some of the most recognized composers of our time such as Marcos Balter, Missy Mazzoli, Caroline Shaw and Joan Tower. She was also a guest at the 2021 Ojai Music Festival which was led by John Adams. Clare has performed 21st century cello concertos, such as Tan Dun’s Crouching Tiger, Hidden Dragon concerto with the New World Symphony and Dobrinka Tabakova’s Cello Concerto with the CMI Chamber Orchestra.

Clare completed her conservatory training with a Bachelor degree at New England Conservatory and a Masters degree at the Juilliard School. She is currently in the process of moving to Calgary, Alberta as she continues to build her musical career.

Japanese pianist Tomomi Sato enjoys her diverse career as a highly sought-after solo and collaborative pianist of various genres, ranging from classical to jazz to global popular music.

A prize winner of the 2013 Seattle International Piano Competition, Tomomi has performed in the US, as well as in Europe, Asia, and South America. Her recent engagements as a classical pianist include a performance in Weill Recital Hall at Carnegie Hall, a broadcasted solo recital at LACMA’s Bing Theater as a part of their Sunday’s Live Series. She is also a festival artist for the inaugural season of Mellon Music Festival in Davis, CA. Her recently attended festivals include the Music Academy of the West in Santa Barbara, Dino Ciani Festival and Academy in Cortina d’Ampezzo, Italy, California Institute of Music in Engers, Germany, among others.

Tomomi’s interests in crossing genres has additionally taken her to China, where she performed a series of holiday shows that reflected the American pop culture; and to Brazil, where she was invited to take part in GLOMUS–a performing festival that exchanges culture and music from all over the world. She has also served as a musical director and keyboardist for musical theatre productions including Into the Woods, Grease, Footloose, Urinetown, and Avenue Q.

Currently based in New York City, Tomomi is pursuing her Master of Music degree in Collaborative Piano at The Juilliard School, where she studies with Jonathan Feldman and Margo Garrett. She holds a Bachelor and a Master of Music Degree in Piano Performance from University of Southern California Thornton School of Music, where she was a Graduate Teaching Assistant and received the Keyboard Studies Departmental Award for both degrees, given to the most outstanding graduate. Her past teachers include Bernadene Blaha, Dr. Mark Sullivan, and Kazuko Yasukawa.

Spanish-born violinist Francisco Fullana, winner of the 2018 Avery Fisher Career Grant, has been hailed as an "amazing talent" (Gustavo Dudamel) and "frighteningly awesome" (Buffalo News). His solo violin album Bach’s Long Shadow, was named BBC Music Magazine’s Instrumental Choice of the Month. Its five star review stated: ‘Fullana manages to combine Itzhak Perlman's warmth with the aristocratic poise of Henryk Szeryng'

A native of Mallorca in the Balearic Islands of Spain, Francisco is making a name for himself as both a performer, fearless leader and a founder of innovative educational residencies. As a soloist, he has performed the Mendelssohn Violin Concerto with the Bayerische Philharmonie led by the late Sir Colin Davis, the Sibelius Concerto with the Münchner Rundfunkorchester, and the Brahms Violin Concerto with Venezuela’s Teresa Carreño Orchestra under the baton of Gustavo Dudamel. His versatility as a performer, both with and without conductor, has brought him to perform with numerous ensembles across the artistic spectrum: from major orchestras such as the City of Birmingham, Vancouver, Aachen, Pacific and Buffalo Symphony Orchestras, the chamber orchestras of Saint Paul and Philadelphia, to the baroque ensemble Apollo’s Fire and the new music driven Metropolis Ensemble. Francisco has worked under the batons of Hans Graf, Pablo Mielgo, José Luis Gómez, Alondra de la Parra, Christoph Poppen, Jeannette Sorrell, Keitaro Harada and Joshua Weilerstein, among many others.

Fullana is one of the first international solo violinists to fully embrace and absorb the baroque language of historical performance. His passion for the gut strings has blossomed into fruitful collaborations with Baroque groups all over the world. Last season, Fullana was the Artist-in-Residence with the Grammy-winning ensemble Apollo’s Fire, performing 18 concerto performances on tour, including stops at Carnegie Hall and Severance Hall among many others. They recently released Vivaldi’s Four Seasons on Avie Records to great success: The album debut at #2 of the Billboard Charts and was named Top Ten Album Of the Year by the Sunday Times. BBC Music Magazine’s review stated: ‘Francisco Fullana reveals Vivaldi’s poetry with effortless refinement.’ The partnership continued this spring, performing Vivaldi’s The Four Seasons on tour around the UK, including stops at Aldenburgh Festival & St. Martin in the Fields.

Highlights of Francisco’s upcoming orchestral engagements in 2024 include debuts with The Florida Orchestra, Budapest MAV, Lodz, Pasadena, Rosario, Saarbrucken Radio and Simón Bolivar Symphonies among many others, as well as returns to Austin and Xalapa Symphonies, Boulder Philharmonic and the Symphony of the Americas. Fullana will also return to play/conduct the Chamber Orchestras of Philadelphia and San Antonio and the Balearic Islands Symphony, leading programs from Mozart’s Jupiter Symphony and Chevalier de St. Georges’ concerti to Beethoven symphonies and Bartók Divertimento.  Recent and upcoming recital debuts include the Phillips Collection in Washington DC and Palm Beach’s Kravis Center, Barcelona’s L’Auditori  as well as recitals debuts at the Heidelberg, Darmstadt, Dresden, Mecklenburg-Vorlpolmmern and Geizeitenkonzerte festivals with his duo partner, pianist Matthias Kirchnerheit. In Asia, Fullana will make his awaited return this spring, performing recitals throughout western and southern Japan.

His passion for working with youth orchestras through the Fortissimo Youth Initiative will be at full display this season affter recently making his concerto debut at Carnegie Hall’s Stern Perelman Hall, where he performed  Lalo’s Symphonie Espagnole with the Grammy-award winning New York Youth Symphony. This summer Francisco will embark on a month long tour with the Spanish National Youth Symphony JONDE, premiering a new concerto by Mikel Urkiza under the baton of Pablo Gónzalez and recording a new concerto album for Orchid Classics.

In 2018 Orchid Classics released Francisco’s acclaimed debut recording Through the Lens of Time performed with the City of Birmingham Symphony Orchestra under Carlos Izcaray. Fullana’s new double album on Orchid, Bach’s Long Shadow, juxtaposes two of the monumental Bach’s Partitas on gut strings and baroque setup with virtuoso solo violin works from the next 3 centuries. His most recent project, Spanish Light, showcases staples and hidden gems of the Spanish repertoire alongside the Spanish pianist Alba Ventura.

Active as a chamber musician, Francisco is a performing artist at NYC’s Chamber Music Society of Lincoln Center, and has participated in the Marlboro Music Festival, the Musicians from Marlboro tours, the Perlman Music Program, the Da Camera Society, and the LaJolla, Moab, Music@Menlo, Mainly Mozart, Music in the Vineyards, and Newport music festivals. He recently formed a musical duo with guitar extraordinaire Jason Vieaux, touring the United States through 2024-25. His musical collaborators have included Viviane Hagner, Nobuko Imai, Mitsuko Uchida, and members of the Guarneri, Juilliard, Takács, and Cleveland quartets. Francisco’s Spanish roots are also often explored in collaboration with Hispanic artists such as guitarist Pablo Sainz-Villegas and bandoneonist JP Jofre. Their recital for The Violin Channel’s Vanguard Concerts at Merkin Hall was just released for worldwide release on all major streaming platforms. Francisco Fullana has been named as the recipient of the 2023 the Darioush and Shahpar Khaledi Prize from the Festival Napa Valley.

Born into a family of educators, Francisco is a graduate of the Royal Conservatory of Madrid, where he matriculated under the tutelage of Manuel Guillén. He received Bachelor’s and Master’s degrees from The Juilliard School following studies with Donald Weilerstein and Masao Kawasaki, and holds an Artist Diploma from the USC Thornton School of Music, where he worked with the renowned violinist Midori.

In 2015 Francisco was honored with First Prize in Japan’s Munetsugu Angel Violin Competition, as well as all four of that competition’s special prizes including the Audience and Orchestra awards. Additional awards include First Prizes at the Johannes Brahms and Julio Cardona International Violin Competitions, the Pro Musicis International Award, and the Pablo Sarasate National Competition.

Francisco is a committed innovator, leading new institutions of musical education for young people. He is a co-founder of San Antonio’s Classical Music Summer Institute, where he currently serves as Artistic Leader and Advisor. He also created the Fortissimo Youth Initiative, a series of music seminars and performances with youth orchestras, which aims to explore and deepen young musicians’ understanding of conductorless chamber orchestra playing. The seminars are deeply immersive, thrusting youngsters into the sonic world of a single period while inspiring them to channel their overwhelming energy in the service of vibrant older styles of musical expression. The results can be galvanic, and Francisco continues to build on these educational models.

Francisco Fullana performs on the 1735 "Mary Portman" ex-Kreisler Guarneri del Gesù violin, kindly on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.

Violist Jesse Morrison is currently a member of the Calgary Philharmonic Orchestra. Prior to that he graduated with a Masters degree from the New England Conservatory (NEC) in Boston, studying with Kim Kashkashian. During his time at NEC, Jesse was the winner of the NEC Concerto Competition in 2017 with the Bartók Viola Concerto and the Chamber Orchestra Concerto Competition in 2016 with Britten's Lachrymae. Recipient of the 2016 Sylva Gelber Award, Mr. Morrison is an avid chamber musician and is an alumnus of festivals such as Yellow Barn, Kneisel Hall, the Banff Centre and Domaine Forget. He was a member of the Neruda String Quartet in 2015-16, which won the chamber music competition at NEC, resulting in a debut recital in Jordan Hall. Additionally, from 2011-2015, he was the violist in the Arkadas String Quartet, a Toronto-based ensemble which won the Felix Galimir Award at the University of Toronto. A native of Toronto, Ontario, Jesse received a Bachelor of Music from the University of Toronto under Teng Li and an Artist Diploma from the Glenn Gould School under Steven Dann. An active supporter of outreach and community engagement, Jesse was an intern for Music for Food (2015-17), a ground-breaking organization focused on raising resources to support unprivileged communities in Boston.

Romanian-born cellist Mihai Marica is a first-prize winner of the Dr. Luis Sigall International Competition in Viña del Mar, Chile, as well as the Irving M. Klein International Competition, and is a recipient of Charlotte White’s Salon de Virtuosi Fellowship Grant. He has performed with orchestras such as the Symphony Orchestra of Chile, Xalapa Symphony in Mexico, the Hermitage State Orchestra of St. Petersburg in Russia, the Jardins Musicaux Festival Orchestra in Switzerland, the Louisville Orchestra, and the Santa Cruz Symphony in the US. He has also appeared in recital performances in Austria, Hungary, Germany, Spain, Holland, South Korea, Japan, Chile, the United States, and Canada. A dedicated chamber musician, he has performed at the Chamber Music Northwest, Norfolk, and Aspen music festivals where he has collaborated with such artists as Ani Kavafian, Ida Kavafian, David Shifrin, André Watts, and Edgar Meyer. He is a founding member of the award-winning Amphion String Quartet. A recent collaboration with dancer Lil Buck brought forth new pieces for solo cello written by Yevgeniy Sharlat and Patrick Castillo. He recently joined the acclaimed Apollo Trio. Marica studied with Gabriela Todor in his native Romania and with Aldo Parisot at the Yale School of Music, where he was awarded master's and artist diploma degrees. He is an alum of CMS's Bowers Program.